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Fears of premature burial prompted the construction of these strange institutions in the 19th Century.
The idea of being interred alive is one of humans’ most primal and unspeakable fears, though its common recurrence in legend and literature betrays a helpless fascination as well. There is probably no way to ever discern how many unfortunate people throughout history have fallen victim to this gruesome fate; it’s likely that the numbers swelled during plagues and other epidemics of disease, as bodies were hurriedly placed into mass graves to forestall contagion. Whatever the actual numbers, it is certain that the problem was clearly widespread enough to cause some societies to take unusual precautions.
Bruhier and the Uncertainty of Death
In the early 1800s it became quite popular, in parts of Europe, to build large buildings in which the bodies of the recently dead were left to rot for three or four days before burial. These were known as waiting mortuaries.
A Waiting mortuary is a mortuary building designed specifically for the purpose of confirming that deceased persons are truly deceased. Prior to the advent of modern methods of verifying death, people feared that they would be buried alive. To alleviate such fears, the recently deceased were housed for a time in waiting mortuaries, where attendants would watch for signs of life. The corpses would be allowed to decompose partially prior to burial. Waiting mortuaries were most popular in 19th century Germany, and were often large ornate halls.
The Germans Build the Morgues
Though Bruhier’s ideas were never implemented in France for one reason or another, the massive success of the book ensured a series of translations, including a German one in 1754. This book, along with a similarly themed tome by another Frenchman, François Thiérry, was taken very seriously, discussed at length among German doctors and intellectuals. Beginning in the early 1790s in Weimar, at the behest of influential physician Christoph Wilhelm Hufeland, plans began to percolate to construct a Totenhaus, or house for the dead, in every German town.
These first waiting mortuaries were large, stately affairs. Corpses (or supposed corpses) were laid out in their shrouds, watched over by attendants who stared through windows, waiting for any signs of life. The attendants often worked 12-hour shifts amid the pungent stench of rotting flesh, and were not allowed to move from their posts. In addition, each corpse was fitted with a series of strings attached to fingers and toes; the strings all led to a central alarm bell which would ring at the slightest movement. Unfortunately the gases from the putrefying bodies were often sufficient to set off the bell, and there were countless false alarms.
Waiting Morgues Spread Throughout Germany
Throughout the following decades, interest in premature burial was high, and more of these waiting mortuaries were built around the country — Ansbach, Munich, Frankfurt, Berlin. Their architecture became ever more elaborate, with classical columns and marble façades that would rival any church or mausoleum. Many of the mortuaries had separate, fancier chambers for the wealthier corpses, and later morgues upgraded their alarms with ingenious clockwork mechanisms and electric buzzers. The morgues also became something of an odd tourist attraction, even visited by literary luminaries like Wilkie Collins and Mark Twain.
The Heyday for Waiting Morgues PassesThough similar institutions were established in Copenhagen, Prague, Lisbon, and New York, and though a few of the morgues were still operating in Brussels and Amsterdam as late as the 1870s, Germany remained the center of the waiting mortuary phenomenon. But even there the enthusiasm soon began to wane. For one thing, though the morgues were applauded for their philanthropic aspects, the fact was that few citizens actually wanted to install their loved ones in such places, and some morgues had to close for lack of “customers.” In addition, there was never any solid evidence that any corpse had ever revived after a stint in the mortuary; critics questioned the tremendous expense on something which seemed so unnecessary.
Finally, by the mid-nineteenth century, better medical instruments like the stethoscope were coming into common use, making determination of death easier. Besides that, there was also a slowly evolving movement away from unsanitary “communal” death houses and toward more individualistic inventions like “security coffins” outfitted with air tubes, lock-and-key mechanisms, firecrackers, bells, flags, and sirens